Jenny calls her the Lady Gaga of ladybugs and thinks the masked insect is actually Paris Jackson. Ladybug’s clues include a Best Host trophy and a vague reference to the 2004 Ashlee Simpson hit “Pieces Of Me.” Her song choice this evening is Lizzo’s “Juice,” which she dishes out coolly and confidently. You know, kind of like this show? Moving on.īefore Ladybug hits the stage, Joey Fatone (aka The Rabbit from last season) materializes behind the panelists for no reason. Kennel” and it’s so dumb it’s kind of funny. The gang is torn, with Robin wondering if Rottweiler is Backstreet Boys member Brian Littrell while Ken ponders if it could be Train’s Pat Monahan. “When you sing, it doesn’t even sound real to me – it sounds like a record,” proclaims Nicole. The onetime boy band member hints are strong with Rottweiler this time around, as he mentions a musical theater beginning and references “I Want It That Way.” For his performance, the dog lends his high tenor to OneRepublic’s semi-hit “Love Runs Out,” which perks up the panel. The film runs a little long, but it’s thoroughly laugh-inducing (in more than one scene, Lansbury and Johns struggle to stifle chuckles, which is sure to infect viewers), culminating with one of the most hilarious of Kaye’s verbal skits (the mortal choice between the vessel with the pestle and the chalice from the palace) paired with the sensational silliness of a magnetized suit of armor – as well as a rather elaborate castle showdown and an anticipated fencing duel.Keyshia Cole Talks Survival In Official Trailer For 'This Is My Story': Exclusive
And his performance as a royal clown in colorful costumes – and then a fumbling knight challenged to mortal combat – is brilliantly orchestrated (his rendition of central song “The Maladjusted Jester” by Sylvia Fine is a notable highlight). In a fitting fashion, all of the supporting roles remain serious with precise consistency, employing the rules of chivalry to absurd heights, allowing Kaye to remain the lone source of over-the-top comedy relief. Kaye’s comic timing proves to be at its very best here, rotating identities through an outrageous hypnosis routine, juggling covert missions that seem impossible to sort out, and accidentally accomplishing assassinative feats (“The man is pure genius!”). “Take that horse and put it back under that idiot!” An abundance of villains allows for a certain level of suspense as well (allusions to torture and rape also arise), despite the regular interludes for clumsy, physical hijinks and slapstick.
THE COURT JESTER BLACK FOX GANG FULL
Fortunately for him, his lighthearted disposition works like a charm, a seduction tool just as effective as broad-shouldered machismo.Īlthough the film is chiefly a vehicle for Kaye’s brand of farcical musical, full of linguistic gags, tongue-twisting wordplay (favoring alliteration), and airy crooning, it’s difficult to dismiss the opportunities for swashbuckling adventure, particularly with Rathbone in the cast (it also doesn’t hurt that there’s both a princess and a fair maid for a consternating love triangle). “Sometimes tenderness and kindness can make a man.” Kaye and Johns lend to a prime comedy partnership, partly serving to emasculate the nincompoop, while also demonstrating the romantic appeal of a funny, artistic, talented caregiver – the polar opposite of the overtly heroic Robin-Hood-like raider whom Hawkins wishes to emulate. With Hubert’s proclivity for playing dress-up, a plot is hatched to infiltrate the castle to obtain a key to a hidden passageway – and it’s up to the galavanting entertainer to take the role of a highly reputable court jester.
He ends up as the butt of many a joke, tasked primarily with revealing the royal baby’s special posterior birthmark, the purple pimpernel, or creating diversions through embarrassing disguises – alongside Captain Jean (Glynis Johns), a formidable woman whom he’s quite fond of. “They’ll never outfox the Fox!” As it so happens, the Black Fox’s identity is occasionally assumed by impersonators like former carnival worker Hubert Hawkins (Danny Kaye), an extraordinarily merry mischief-maker who sings and dances with his band of faithful followers – squeaky little people dressed in coordinating outfits (credited as Hermine’s Midgets). But perhaps with the help of the wealthy Griswold of the North (Robert Middleton), a brute and a lout who wishes to marry the king’s daughter, Princess Gwendolyn (Angela Lansbury), an alliance can be formed to rid the empire of the masked bandit. With his gang of insurrectionists, trouble brews, causing great dismay to the usurper and his right-hand man Sir Ravenhurst (Basil Rathbone). But rumor has it that the rightful heir, an infant, has been secreted away into the forest under the care of the renowned outlaw, the Black Fox. Ing Roderick the Tyrant (Cecil Parker) seized the throne through a massacre of the entire royal family.
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